Hyperallergic | Citra Sasmita in ‘Artists Wrestle With Global Turmoil at the Toronto Biennial’ January 22, 2025
35TH BIENAL DE SÃO PAULO | Traveling Exhibition: Museu de Arte Moderna da Bahia, Salvador January 22, 2025
The Guardian | Sydney Biennale 2024: Armageddon is met with joy and subversion in epic art feast January 22, 2025
24th Biennale of Sydney | Chau Chak Wing Museum announces Biennale of Sydney artists January 22, 2025
Arab News | Indonesian artists seek to amplify Southeast Asian aesthetics at Art Dubai January 22, 2025
The National News | First look: What’s there and who’s at the Art Dubai 2024 contemporary section January 22, 2025
The National News | First look: What’s there and who’s at the Art Dubai 2024 contemporary section January 22, 2025
STIRpad | Art Dubai 2024 focuses on diverse galleries and artists from the Global South January 22, 2025
35TH BIENAL DE SÃO PAULO | Traveling Exhibition for Museum of Modern Art Rio de Janeiro January 22, 2025
e-flux | Artists, title and curatorial framework for 2024 edition, Diriyah Biennale Foundation January 22, 2025
Wallpaper | São Paulo Biennial 2023: activism, repressed cultures and South America’s art history under the lens January 22, 2025
ArtThrob | Return to the body : 35th São Paulo Bienal – choreographies of the impossible January 22, 2025
Forbes | Asia Now Fair Director Alexandra Fain On Bringing Asian Contemporary Art To Europe January 22, 2025
Numéro | Asia Now 2022: between glitched ceramics and committed hangings, 5 works not to be missed January 22, 2025
FORBES | Singapore-Based Gallerist Audrey Yeo On The State Of Southeast Asian Contemporary Art January 22, 2025
PLURAL ART MAG | Flipping the Script: Balinese Artist Citra Sasmita Reframes Traditional Epics January 22, 2025
